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Recording remotely over the past year from their respective homes, The Wombats have been working hard to produce some of the most captivating, inventive and forward-thinking music of their career to date. Le Bon brought her unique musical perspective to the band’s trademark sound and provided them with an inspiring new challenge to push their musical boundaries.

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Tweedy’s singular songwriting voice is in full evidence, with lyrics weaving across a variety of topics – from the iconoclastic to the introspective.Īdding a unique and new element to the recording process was the attachment of Welsh singer/songwriter Cate Le Bon as producer – the first time an outsider has been actively involved in a Wilco recording session for more than ten years, since Yankee Hotel Foxtrot. The ten new tracks are written by band leader Jeff Tweedy and feature musical performances by the longtime lineup of Nels Cline, Mikael Jorgensen, Glenn Kotche, John Stirratt, Pat Sansone and, of course, Tweedy on lead vocals.Īfter a short detour back into their country-influenced roots via last year’s Cruel Country double album, Cousin sees Wilco back in their more familiar progressive and experimental rock territory. Wilco’s thirteenth studio album, Cousin, was recorded in the band’s legendary Chicago studio – The Loft – over a period of two years.

Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes.

I wrote these songs as a way of letting go of all that, as permission to feel good.”įeel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment.

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“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt.

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